Q&A.
How did you make "Muto" and how long did it take?
How do you economically sustain your work?
Could you talk about your work in Mexico?
Are you asked to paint on walls, are your expenses covered?
Should public authorities reserve free space for street painting?
Do you make sketches before painting?
What's your personal relationship with the name BLU?
Why are you wearing a mask?
Have you ever felt tempted to turn your work into a product?
What's your real name?
Don't you think that painting over the wall built by Israeli government in Palestine could seem contradictory?
[Original version in Spanish]
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El tiburón (=The shark). |
Introduction. |
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Another example: Milan (Italy). Clean-up operations and real estate speculation. Painting the Cox18 historical squat and the Contemporary Art Pavillion at the same time. Acts of vandalism by political parties. |
The example of Berlin and the perception of the value of walls. A mural painting in november 2008 and another one in collaboration with JR. The current contradiction of street art: between repression and creating economical value. About painting on the street and losing control and authority over it. [Original version in Spanish] |
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The example of Managua (Nicaragua). The mural painting in the Avenida Bolívar. The example of Sao Paulo (Brasil), an ads-free city. |
Some interesting aspects of the walls in Latin America. Animation plus graffiti = the short movie "Muto" (=Mute). |
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A short film by Blu. Made in Buenos Aires and in Baden (fantoche) |
The example of Betlehem (Palestine / Israel). |
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Q&A. |